as summer slowly fades, michael clifford recalls those calming, intense moments, that merge the good feeling of inner warmth with deep sound. today, deep often gets misused as a cheap tag for music, not deep at all. clifford really takes you on a journey towards your inner core. garnered in warm, low slung and minimalistically dubby beats, and sparse yet lofty snyths, his deepology ep needs no prayers for deepness. it simply is the mantra of depth. lost in the groove, based in the stealth of bass, coloured in shades of electronic yet organically warm tones.

allnite music is back with vinyl only gems. we are glad to provide you diversity from early hour deep/dubby moods to dance floor heaters. texture & groove 4those who know.

isoees long and celebrated discography has taken him from seminal microhouse compositions, through lush, deep and dubby productions, to the melodically rich sound design of 2013 mindblowing allowance. any of this would be a tough act to follow, but the seasoned hamburg talent takes it in his stride once again, looking firmly towards the future while paying tribute to all chapters of the past with the brand new two-tracker, floripa ep.

following their minimal and dubby paths yarn records passes valea neagra – the black valley. luis & persound are a mexican-spanisch collabo with an addiction to mystic and drifty grooves. the valea neagra ep contains two trippy tracks and a third experimental journey with gloomy ambient styles. join the trip through valea neagra! yarn records second release comes handstamped in recycled paper bag with sticker and a length of 28 minutes. limited to 300 copies.

following our last va release label heads dudley strangeways & michael mclardy return with a full 4 track ep. spanning from the dubby realms of spycatcher through to the club ready tumult this record encapsulates the current sound of leftback records whilst providing a cross section of tracks to suit various time slots.

digital is back with a very loud bang in 2015. as a long time friend of label head klute it was inevitable that he should return with his second release for the imprint. however, this time hes come armed with a deadly new partner in crime. dj response, from manchester. watch out for this guy……. more to follow.
4 tunes of dark and dubby vibes. this ep is killer. listen to the clips and see why everyone is raving about these tunes.

its not that easy to define the sound of this berliner based italian artist, but he clearly merges different influences together. the opening cuts are quite fascinating for the way they’ve been meticulously built up. it takes off like a soundscape experiment revealing the ambient involvement of the artist, but moves towards heavier structures characterized by elements of dub, mystical chants and solid industrial components. the debut of this album is absolutely great. inner8 brings icy elements together with a kind of dubby rhythm, which on the next song becomes pretty industrial like. it all sounds like a delicious osmosis of sounds and different influences, antezza revealing himself as an inspired sound alchemist.

dubby / atmospheric techno , incl dj spider rmx

classy deep and dubby vibes from the 2 masters of dub techno.

2015 repress, back by public demand !!
bomb! heavy detroit influenced dubby techno killer. already supported by len faki, norman nodge, luke slater, rolando, dvs1.

apparently mr. retro is from japan living in detroit or vice versa. a1 is * get the dub* a dubby 90s house cut with echoey efx, * visionary chicago* is a2 which sounds like a long lost trax cut, a3 is * look ahead* a disco dub re-edit of the norman connors classic. limited 1-sided pressing

here comes a deep and dubby fusions ep from the label co-head himself. hand stamped and limited to 100 copies! produced by alexander wirth.

ltd 2015 repress !! fear of flyings next instalment sees the label launch a vinyl only 4 tracker with revered artist schatrax providing the previously unreleased lead track >get it right<. a booming sub bass, a few cut up disco samples and 5 1/2 minutes later you have another fine addition to mr josh brents exceedingly impressive cv. romanian duo egal 3 round off the a side with more than a nod and a wink in the direction of baby ford / thomas melchior in the minimal trippy beats of in their track >siclam<. label coowner blm gets all dubby on his tribute to daughter / dog love on the flip with northern wonder nyra getting all introspective on the deep and slightly darkly edged >casturize<.

the second loveit press comes right in time for the festival season and for dusty basements too. suolcity is a young producer from stuttgart, the spot for house business again. probably he felt it already as intern at rocker 33?, the club such as panorama bar and robert johnson. how else could you explain the b-side rush, you had to feel this dubby, gritty bassline. not hard enough - so maybe rush harder, you can have it all.

on the first side side we got the title track kings & queens, featuring carlo and the unique voice of the singer / songwriter gjaezon. trippy chords combined with whirling hi-hats give that track a special melancholic, dark and warm feeling. perel transformed the second track speakerbox straight into a club banger - jacking grooves and cut up vocals by gjae, thats how we like it. and now sit back and relax while ranko serves you his cocktail of slow-motion funk and dubby grooves in his clarapark remix. on the flip side oliver gehrmann starts with his version of speakerbox: a floating and melodic sunrise hymn, including such a rolling bassline that your feet will do all the work for you. odysea take you back to the golden age of house music, therefor the boys created a soulful remix with majestic strings that give you nothing but goose bumps.

>figmentation< stefan vincents debut on traut muzik, including two tracks, a remix from the label boss and also a locked groove. >delusional< is an authentic killer, a perfect weapon to activate the dance floor with dubby chords and classic 909 percusions. on the same side jonas kopp, minimizes the original providing his talented vision of techno music. >a drones loneliness< is a timeless track with the unmistakable touch of detroits sound, while >one< closes the record with a functional techno tool for djs.

after the first success story dubaptism are returning with their second vinyl release. this time with 3 original tracks that covers a wider range of techno. from dubby atmospheres to harder techno aesthetics. their good friend echonomist (rotary cocktail, high strings) is on the remix duty for this one and he managed to do a great job by setting extra groove and dancefloor energy to the original track. comes in a blue/green smokey marbled vinyl in limited numbers so hurry up!

dubby and atmospheric techno

very limited 250 run on 180g vinyl in printed sleeve with hand stamped centre labels.
a new vinyl record label founded and run by long time birmingham based producer & dj, etym. the label initially serves as an output for self-penned productions focussing on techno in its many guises. st001 - trial 01 is the first release and is a four track ep. taking in a broad ranging musical spectrum, these tracks range from the dubby, sinister edge of 01.1 and heavy 4x4 rhythm of 01.3, right through to the more melodic sounds of the 909 led workout 01.2 and the swelling juno pads of last track 01.4. all tracks created using hardware synths, drum machines and field recordings.

we dont know much about domenique dumont, nor do the guys at antinote. in fact, they dont seem to care: they just came across the artists music and decided to release it. its perfectly inspired dubby pop brightness, a rare thing! tip!

2015 repress !! 2 tracks raw dubby and full on pepe bradock infused house of the highest calibre and in an almost unusal summerish mode. perfect for playing (and forever staying)! vinyl only!

limited 2018 repress
timeless crafty, purified and dubby techno nuggets !! for fans of marcel dettmann & maurizio

waehlscheibe is back: the swiss label keeps on doing what it does best and releases another truly deep and dubby house record. this time its japanese artist takuya morita known for his releases on morris / audio and adjunct who pleases with soft pads and chords, rich delays and ultra low basses. all four tracks on this record are strictly instrumental and oscillate nicely between deep house and techno. moreover, they cover a wide range of moods suitable for playing at various times of the night. the >placid sunset ep< comes with a special 2nd version of the title track which has been reconstructed and stripped down by s&ro and alessandro crimi from waehlscheibe. as always all tracks have been mastered by above smoke at the hole of dub studio.

it gives us great pleasure to welcome london-based producer leif in to the idle hands fold. from his earlier micro house releases alongside tom ellis on their trimsound label through to starting the otherworldly untilmyheartstops imprint alongside tom s brother joe, he has displayed an innate gift for combining crisp, flexible rhythms with serene, dubby melodic content that sits in a comfortable flux between icy and warm, natural and synthesised, funky and floating.

after releases on saints & sonnets and stay underground, it pays, berlin artist quell aligns with the mil label for the four track tomahawk which further cements his reputation for no-nonsense, stripped back house and techno music. size 7 sets the tone, a dark, underground roller with a trilling bassline and acidy bleeps that sits nicely alongside the shimmering chords and deep dubby vibes of monolame. on the b-side, harhead leads with fluid percussive rhythms and sequential kick drums to give an immediate grooveintrinsic melody. the energetic, grooveled tone continues into the last track, where are they now, a dark, technofused stripped back rhythm track with an acid tinged-feel.

following his stunning apollo debut album *water* in 2013, anton zap aka anton barbashev, the russian electronic pioneer returns to the label for another foray into his highly distinctive, deep and ever evolving productions. without doubt one of the leaders of the burgeoning generation of muscovite electronic producers, *subculture* sees zap building on water s seismic achievements, expanding on his trademark luscious house sound into verdant new areas. once again, as we ve come to expect from an anton zap record, the production is impeccable, with sounds ranging from the blissed-out hip-hop stomp of *free fall* and crunching beats of *one week*, to the slender, mysterious jazzy breakbeat workout *incident* and dubby space-tech of closer *pauspapier*. a vital release from one of electronic musics most original and singular voices.

san francisco/paris-based label spring theory is back with its fourth release. called sweet bitter love, it s a four track ep of manic sample-driven house from keita sano, a japanese producer who s been on a roll lately with releases for like-minded imprints discos capablanca, mister saturday night, and strictly groove recordings. sweet bitter love kicks off with the tripped-out flair of -once i found a diamond.- it s an uplifiting bongo-led cut with dubby melodics that sound like the kind of thing sleeping bag records would have put out in the early 80s. jacques renault provides a leaner peak-time version — complete with hard-hitting snares and growling bass — via his -once i found a diamond (jacques renault trouble funk remix).- things take a turn for the delightfully weird on the ep s namesake -sweet bitter love.- starting like a straightforward house cut, it explodes into a psychedelic collage of spaghetti western guitars, tribal calls, displaced jazz fills, and other forms of cleverly sampled soundtrack exotica. the release wraps up with yet another curveball on -bouzouk.- here sano lays out a subwoofer-knocking ny garage house rhythm that takes a left turn with frenzied bouzouki playing charting arpeggios through a haze of echoing foreign voices. taken as a whole, sweet bitter love is that rare idiosyncratic bomb of an ep that will keep your dancers moving and your trainspotters guessing — in other words, it s spring theory through and through.

• 10 inch handstamped limited edition of 200 copies, no repress.
• dj support so far from key players including: murf (subterrain), russ gabriel (ferox)
• following the first 2 sell out releases, the mysterious silver ash returns with tallow, the 3rd in a series of super limited 10 inch vinyl, handstamped, and lovingly mastered with a superb warm tape qualities. the original mix carries beautifully structured shuffling beats, and a wall of stunning reverbed stabs, dubby chords and cut through bass. fellow dub techno producers, hailing from australia, the echo inspectors provide a deeper reshape, soaked in warm dub soundscapes!

excellent dark, deep and dubby tracks! for the fans of basic channel, maurizio

a1 - the newness- combines dystopian sound landscapes with dubby atmosphere and whoopy beats. b side opens with - g.i.r.r engine-, reminiscent to -never engine-, one of cristian s best works up to date, blueprint of minimal techno with no additions. last but not the least, - box engine 124- slows speed down a bit and finishes the ep with dark and funky though spacey trip to another dimension.

no.19 lynchpin nitin returns to the fore with a superb new single of deep and dubby house music, backed with remixes from steve rachmad & deadbeat

satoshi tomiie will release his new album new day on his own newly inaugurated label abstract architecture. the new music will be introduced first on a limited edition vinyl only sampler, with two album cuts and remixes by his longtime heroes ron trent and dj sneak. the a side features thursday 2 am and ron trents remix dub

part i of the sweet sadness album. four raw, analogue-drenched, deep and dubby industrial-influenced bass tracks.

daily session with the 4th release of transmissions from the new york underground.

this ep contains 3 powerfull techno-tracks with dubby elements, typical stripped down mike dehnert sound.

proper techno from this no frills label that serves up swinging, heavyweight and dubby techno funk.

the title track is a monstrous cut designed to get floors sweaty. with its futuristic synth smears, blasts of white noise and slick rubbery beats it is impossible to ignore. full of atmosphere and some ghoulish voices, it s a fine affair from this italian master. the malandra jr remix is even more tense, with industrial machine sounds zipping and fizzing about in a progressive groove, whilst martin patino deconstructs the whole thing and re-builds it as a jazzy minimal affair with sick chords, smears of colourful light and plenty of charisma. lastly, eddy romero & frink go for a dark, dubby, stripped back number that will please the real heads out there.

silkscreen artwork - hand-stamped - limited to 300 copies. after chris mitchell, xdb and walt j, parisian label unlearn is back with a various artists from european fellow producers. a versatile cut between mental lands, dubby shapes and g-funk territories that confirms the label’s strive for eclecticism in electronic music the release starts off with juckis (100693 mix) (a1) by copenhagen underground posse (c.u.p) affiliated artist kasper marott, a strong and sensual track between dub and house. the ingredients are simple but effective: deep chords, groovy bassline and driving snares. jackin in paris (a2) is something else. this analog number by hyperdubs jkamata mixes the artists uber-funky roots and his taste for polished house rhythms. be sure to check his supertronic duo project as well, these danish cats definitely know how to do it.the flipside explores a more mental side of dance music starting with the refined north (b1), the kind of track you cant really put in a box. labels co-owner caseer aka raphaël cesario takes you on a trip through his elegant universe made of harmonic pads and syncopated rhythms. misi from basel ends this v/a with helios (b2), a maurizio-esque cut that will please the amateurs of proper dub.

the a1 was never a big surprise. mattias fridell s consumed for profit was one of the tracks of the year, and surely fridell s personal best track, and was played by anyone who at least plays a bit of techno in their sets. the usual fridell quality of standard and a tight synth line! a2 sees french artist electric rescue s quarries in the a. mochi remix. a peak-time banger, slapping the synth stabs right into your face. this one always gets the floor jumping. the b-side kicks off with label-head advance human s pure , stripping things down to some essential moody but slamming techno, right up there amongst his best productions. b2 has +platform s mosses closing things off, and as we came to know and love from +platform, it s out there, dubby and dreamy techno, born for those deeper berghainesque floors.

the get serious boys strike again, this time on the i m in love main serie. and for this ep they have teamed up with federico alfieri to show us a deeper musical approach, more focused on dub. *aire* on the a-side comes with a danceable rhythm and a bleak atmosphere, created by magnificent dub elements. on the flip we have another dark, dubby bomb, perfectly fitting on every afterhour. it also strongly represents our musical intention by drawing the connection to the labels first release.

nebraska is someone who’s tracks we’ve been loving for a good few years now and finally managed to pin him down for a release here on delusions of grandeur. the uk producer is something of an enigma, and despite some amazing releases on rush hour still remains resolutely underground and seems to keep his releases to a minimum, focusing on keeping the quality high rather than flooding the market with average material. once again, he brings the real deal with three drum-heavy warehouse jams to nice-up the dancefloor. aw-right (mute version) sets the tone with a raw house groove that keeps things stripped to the bare minimum. a bouncing bassline and rattling percussion break help to define the track but it’s the dusty, dubby approach to the mix which really makes the track shine. next up we have warp and weft, a similar sounding track but by dropping the bpm’s nebraska has created a sublime low-slung, bumpy groove to really move to. flipping over we’re treated to the brilliant eighty eights which will have you nodding your head like the churchill’s dog before you can say ‘looped up piano and bass one bar groove repeated for over eight and a half minutes shouldn’t work should it?’

italian native and affekt mastermind alex dolby delievers a 2 bangin deeper techno tracks. sandro kellener from montpellier delievers 2 purified and dubby techno nuggets with an analogue feel and a great sound. for fans of klockworks! perfectly crafted deep techno for the true headz all around.

morris audio welcomes italian hot shot kocleo! a skill full dj and producer, kocleo has been releasing his music on labels like definitive and recently on kerri chandlers madtech. the 4 tunes of his *float* ep are pure tech house. *float* starts with lush organ stabs with echoing vocals and strings, continuing with a bass led house cut and percussions. the deep and dubby *float* remix is by another up and coming versatile italian producer: whitesquare (skint, noir or defected).

number three in prins thomas rett if fletta excursion welcomes our good friends from full pupp trulz & robin with change, a 10 minute deep techno buildup piece in a somewhat classic, almost trentemolleresque, soundscape + tradition. minimalistic but huge in a motoric wall of sound style long not heard. large! dunjon sets the counterpoint on b, bassdridden, sparse, bubbling sturdy grooving techno is dub comes back to the richer atmosphere of change for another hallcinating deep and dubby piece.

with jozef k & winter sons may the lord have mercy on us all, lets play house dives deeper into the world of techno. the record includes two dubby originals--like falling angels” in addition to the titular track-as well as a pair of remixes from some of n. america’s finest: luke hess of detroit and basic soul unit of toronto. that is really all you need to know! the 30-minute-long journey is all at once calming and energizing, hypnotizing and exhilarating, accessible and heady. it is also spooky and chilling, thanks to the slow boil build of each cut on its own and the 12 inch as a whole. a truly rewarding listening experience suitable for at-home and club play alike by two of manchesters top-shelf talents.

ra+re is a paris based female only record label created by three young women. the name of the label, ra+re records describes precisely the music it aims to represent: rare, underground, unique and meaningful. ra+re records aims to gather talented feminine artists that will spread their sound and sensibility all over the world. ra+re records is excited to present for its first various artists ep, vinyl only, the talented hellen mills, adina paun, stefny and eveline fink. the dark dubby minimal layers of the tracks combined to the microhouse sound pads give a complete club ep.

arsat is the first argentinian telecom satellite launched into orbit. arsat gets the rocket ready to ignition: a repeated stabs loop manages the take-off with success. on remix duties, up-and-coming argentinian talent julixo delivers a jacking chicago-style interpretation of arsat. with beltran, the rocket starts its launch into space: although fast paced, the track brings some harmonious dubby elements and nice violins in the mix to calm down the expecting crowd: it s all going to be ok. formula ends the e.p. like a celebration of the satellite s geostationnary slot: a hard hitting, percussion driven, techno track where the stabs penetrate deep under your skin. not for the faint hearted!

versatile 3 track techno ep on the new valence label all with a knowing nod towards dancefloor hedonism. and is a rolling 909 clanger, while or slips into dubby berlin vibes. not yet takes a moody end-note on an expressive, melodic journey. valance is exploring the depths of the dancefloor without drowning!

shipping earliest monday , march 2nd. home invasion is the new label from real tone man franck roger, a man whose career has scaled the full depths of house music over the past decade or so. evidently seeking a new challenge, the parisian s new imprint promises to adhere to a vehemently underground way of working, with every ep released upfront on vinyl-only terms and produced exclusively on analogue equipment. franck roger is back this time in solo with 3 fresh tracks made in is home invasion laboratory, this time going back to some proper raw stuff on the a side, going back to his new jersay roots on vib’ray shun that will remind us some of the old bno traxx made back in the days from the deep, what we used to call the french touch but in the underground scene for those who reminds that era… immersion is a deep kind of aquatic hypnotic track with a little ‘clin d’oeil’ for the old prescription records wich has been one of francks all time influencing label…on the b side we keep exploring a more abstract side of franck wich will remind us his work on earthrumental records ..sub division of real tone rds.. a modern approach of his dubby influences.